Thursday, May 28, 2026

Appalachian Independent Wrestling: Sonny v. Doc

 

The scene is set.

The wrestlers have arrived ready to grapple.

The handshake lasted longer than either man expected.

Out on the porch, under the silver wash of the Appalachian moon, Sonny and Doc stood at the edge of the rings that centered the old wrestling mat, their boots planted wide and solid, their thick hands clasped together in a shake of good sportsmanship. The lanterns hanging from the porch posts and scattered around on low tables and the floor threw amber light across the boards and mat, making the first sheen of sweat already gathering on their foreheads shine like oil.

An old and weathered hand-painted sign on the wall -- APPALACHIAN WRESTLING / EVERY SATURDAY NIGHT / BELL TIME 8:30 -- looked ghostly in the moonlight, like something from another century, which it was.

The mountains around were quiet except for the distant song of crickets and the low, slow creak of the porch timbers beneath their weight. Down in the holler, a dog barked once and then quieted again. 

"You still favor that left knee?" Sonny asked.

Doc's eyes narrowed. "Only if you're still slow to let go of a side headlock."

That almost earned a grin from Sonny. But only almost.

They released the handshake, and each took one slow step backward, the stiff old mat crackling under their boots. Both men rolled their shoulders loose. Sonny ran thumbs under the straps of his red tank top. Doc tucked his black tank top into his black trunks, then ran thumbs inside the waistband of the trunks and released it with a snap.

D. Samson "Sonny" Hunter and Aubrey "Doc" Weaver had known each other too long for WWE theatrics or playground trash talk. The respect between them was settled years before under the auspices of the Appalachian Independent Wrestling Alliance: beneath summer suns at county fairgrounds, in town and country high school gyms, throughout the AIWA territory in National Guard armories and VFW halls, where folding chairs screeched on concrete floors when the audience got excited and lung smoke hung beneath the rafters.

The last gasp of that heyday had now been more than thirty years before. This night was different. No crowd. No announcer. No referee. Just the mountains. Just the moon. Just the men in their sixties.

A breeze drifted across the porch, carrying with it the scents of pine woods and earth dampened by an afternoon rain. It cooled skin already heating with anticipation.

Old instincts awakened in both men at once. The years disappeared. Age remained in their faces, in the gray of their beards, in the thickness of their waistlines. But not in their eyes. Their eyes revealed they were still dangerous, still brimming with wrestling vitality and desires.

Sonny made the first feint -- a quick reach toward a thick thigh meant to test Doc's reaction speed. Doc slapped the hand aside and shifted to his right, the movement causing the lantern light to swing or shiver, which in turn set the men's shadows into motion on the mat and along the walls.

"Fast enough?" Doc said.

Sonny's answer was to drive forward. Not recklessly, but with the heavy, deliberate lunge of a ring veteran who knew the potential of making the first move. Doc met him head-on, and again the old porch shook beneath the collision.

The classic collar-and-elbow.

Right hand to the back of the other's neck. Left hand on the other's forearm or elbow. Fingers and palms curled and gripped. With a dull thump, their foreheads bumped together and stayed that way.

The entire porch seemed to tighten around them. The wall with its sign. The board floor with its wrestling mat. The shaking and shivering tongues of flame. Even the old man in the moon. Everything seemed to exist for -- to be focused on -- the wrestlers.

Neither gave an inch.

Sonny moved first and attempted to push Doc backward toward the edge of the mat where he could press Doc's shoulders against the APPALACHIAN WRESTLING sign. A show of strength, nothing more. But Doc did little more than step back with his right leg and plant his foot, stopping Sonny cold. Doc answered with a pull downward on Sonny's elbow at the same time as he pulled forward on the back of Sonny's neck, going for the traditional transition from the collar-and-elbow to a side headlock.

Sonny grunted and, at the same time, stepped back and pushed Doc away, breaking the initial lockup.

Doc's jaw tightened.

They circled each other one rotation around the mat, paused, and then lunged back into the collar-and-elbow. Their foreheads pressed together hard enough to hurt. The second tie-up settled into a grinding test of balance and leverage as Sonny and Doc leaned into each other in the center of the old porch mat. Their boots shuffled softly against the canvas as the lantern light flickered across broad shoulders and backs.

Out beyond the edge of the porch, the forest and mountains stood blue-black and silent beneath the moon as the two old wrestlers leaned into each other, testing strength against strength as they'd done much of their lives -- wrestling or not.

Sonny's right hand stayed tight against the back of Doc's neck. Doc's right hand pressed tight against Sonny's collarbone. Their free hands moved up and down from left forearm to elbow, feeling for the sweet spot where leverage and surprise might click into place to the advantage of one or the other.

This time it was Doc who drove first. With a sharp shove off his back foot, he pushed Sonny a step backward toward the edge of the mat--the edge of the porch. The movement rattled the old boards beneath the mat. Sonny absorbed the pressure with another grunt, lowered his hips, and widened his stance. His red tank top stretched tight across his thick frame as he dug in and stopped Doc's momentum cold.

For a moment they froze there like a sculpture. Strength against strength.

Then they became wrestlers again.

Doc tried to turn the lock-up clockwise, attempting to pull Sonny off balance and expose an angle for control, but Sonny felt it instantly. As years of instinct flared awake in him, he shifted with the motion instead of resisting directly, shifted just enough to destabilize Doc's right-side pressure.

That tiny opening was all Sonny needed.

Sonny's left hand shot up to the back of Doc's neck at the same time as his right hand slid down to Doc's elbow.

Doc recognized the danger a heartbeat too late.

Sonny pivoted sharply on this left boot, turned his hips clockwise, and, with Doc's left arm firmly under the control of Sonny's right hand, Sonny threaded his left arm around Doc's head and snapped a side headlock in place, pressing the right side of Doc's face hard against Sonny's powerful upper body. His right hand released Doc's left and moved to close the side headlock.


Doc bent to the pressure. "Damn," he muttered through clenched teeth.

Sonny planted his legs wide for balance, his boots gripping the mat as he locked his hands together and pulled Doc's head tight against his chest. The muscles in Sonny's forearms tightened like cables in the lantern glow.

Doc felt his head pressed securely against Sonny's left pec while one hand instinctively reached for Sonny's thigh to steady himself. His other hand grabbed at Sonny's waist, searching for stability inside the hold before Sonny further increased the pressure.

Sonny knew exactly how to apply the classic hold. Not wild. Not cruel. Precise. His hip stayed low. His chest stayed upright. His left elbow pinched inward just enough to force Doc's neck into an uncomfortable angle without fully cutting off movement.

Doc's boots shuffled for balance.

Sonny cranked the hold another notch.

The old porch groaned beneath them. Lantern light swung in the breeze while the moon cast pale silver across the darkened world around the wrestlers, who, from a distance, might have looked frozen there -- one wrestler bent low inside the other's control, both framed by darkness and weathered timber.

But up close and inside the hold, everything was movement. Doc tested Sonny's balance with a shove to the hip. Sonny widened his base. Doc tried to slip his head lower. Sonny tightened the headlock and leaned his weight downward on Doc's neck and shoulders.

The match had changed now. The feeling-out process of the collar-and-elbow tie-up was gone. Sonny had established the first real advantage, and both men knew what that meant. From here forward, every movement would become a counter, every shift a potential trap, every ounce of pressure part of a longer strategy unfolding beneath the full Appalachian moon.

Sonny bore down on the headlock with slow, punishing patience.

Doc stayed bent at the waist beside him, one hand gripping Sonny's thigh for balance while the other alternately fought at the hands and wrists that locked the hold or reached around Sonny's thick waist for stability or to pull closer to reduce the pressure. The hold forced Doc's neck and face sideways into Sonny's powerful chest, and every time he tried to straighten up, Sonny leaned his weight into him again like an oak settling deeper into the earth.

"Still got it tight," Doc muttered through clenched teeth.

Sonny's answer came with another deliberate wrench of the hold. Not enough to injure. Enough to remind Doc who was in control.

Doc grunted and shifted his footing, his boots scraping across the canvas as he searched for an escape route. He knew better than to waste energy trying to overpower the hold directly. His opponent's base was far too solid for that.

The man in red had planted himself wide in the center of the circle, knees bent, hips low, every inch of his body aligned to keep control. Old wrestler's leverage. The dangerous kind.

Doc tried another tactic. Instead of pulling backward, he stepped inward, crowding Sonny's body and forcing the bigger man to adjust his footing. He drove his right shoulder into Sonny's ribs while his hands worked at the hand-and-wrist lock beneath his jaw.

Sonny saw through the tactic immediately and widened the stance of his left leg and rotated with the pressure, keeping Doc trapped tightly against his side and chest. The motion carried them slowly across the mat, both men breathing harder now, sweat beginning to shine on their arms and necks.

The old porch creaked beneath their combined weight of over five hundred pounds.

Doc suddenly shoved hard at Sonny's hip and tried to slip his head downward beneath the crook of the elbow.

For half a second the hold loosened. Half a second -- enough for hope of escape.

But when Doc paused to assess the change, Sonny -- already ahead of him -- released his grip just enough to tuck his right fist underneath Doc's chin and push his head further up into a headlock that he then snapped tighter and more secure than before. His forearm slid deeper beneath Doc's jawline, while he turned his chest sharply toward the hold, twisting Doc sideways and stopping his escape attempt cold.


Doc's face tightened with pain and frustration.

"Thought you had daylight there, didn't you?" Sonny said quietly and tightened the headlock another notch.

Doc huffed out a breath that was almost a laugh.

The moonlight touched the forest and hills behind them with highlights of silver while Sonny kept tightening the hold notch by notch, making Doc not only suffer the grinding headlock but also carry the weight he leaned into it. This was classic old-school wrestling -- not explosive, not flashy, but exhausting in a way the WWE twigs and bodybuilders rarely, if ever, understood.


(to be continued)




Thursday, December 12, 2024

 Anybody still out there?



Monday, September 4, 2023

Harley Race's Head Scissors

 I wish the video weren't so jumpy, but I do love to see Harley Race jump into a head scissors. This one's applied to the great Dory Funk. (If the video doesn't go directly to Race up in the air and locking his legs around Funk's head, you can jump to it at 35:44.)




My Favorite AC

First contact via blog comments: "Hey Ringer, I've been reading your article for a while and share many of your same thoughts and feelings about the matter. I am married with a child and attend church regularly and struggle with the issue of enjoying wrestling. I live in was wondering if you would be interested in meeting for a match?"

My response: "Sorry, but I missed your "live in" somehow. Where are you? If it's geographically possible, I'd be interested in meeting for a match.

And thanks for reading! You can contact me at wrestling-life@hotmail.com."

My follow-up response: "Got your email, "Anonymous," and sent one back to you."

His initial email: "Sorry, I typed the comment early this morning before leaving for work.  I reside in the Kingsport area so not too far away.  I noted from reading some [of] your articles that you generally meet at Applebee's so thought I might see if you were interested in meeting up for a match sometime.  As I said, I have read your article for a while and had alot of the same thoughts and feelings and thought it could be interesting."

My response: "Thanks for the note. Again, I'm glad you've gotten something out of the blog. It certainly helps me. My wrestling experiences have been almost all good ones, and as you can tell from the blog, this is due in part to the fact that I'm cautious in setting up matches. So, if you don't mind, before we begin looking for a time to get together, let's have a brief email conversation.

You know a good bit about my wrestling interests from your reading. Other things that might not have come out clearly in the blog are that I'm 49 years old and I currently weigh 255, and I don't generally wrestle men significantly younger (in their 20s) or significantly smaller (say, under 190). The rest you know or have a good idea about. Tell me a little about yourself--age, size, wrestling interests. Applebee's has been a good place to meet in the past, although now that I think about it, the meetings there haven't led to my favorite matches . But I'm sure that wasn't the fault of Applebee's.
I look forward to hearing from you again at your convenience."

My follow-up: "Hi there, I'm hoping I didn't write anything wrong in my last email to you, as I'm interested in talking sometime."

[crickets]

I guess sometimes--most times--contacts like this just don't work out. I never heard anything back from this contact after my last response above.



Saturday, July 16, 2022

Uncle Bill's Nipple

A significant part of my wrestling obsession is an accompanying obsession with heavyset men with bellies.

Not grossly obese men. Not men with fat tires around their waists. Not men with hanging bellies that make them look for all the world as if they’re pregnant. Not men with flabby breasts that lay flaccid atop their bellies. Not men whose breasts seem only the wall of their chests with nipples painted on them.

No, some apparent muscle in the breasts seems necessary. Some apparent muscle in the belly—“table muscle”—seems necessary as well. The belly must have some contour and not appear carried like a bag.

Whence this obsession? This desire even?

One of the oldest images in my mind is of a morning in my grandparents’ house. The dining room table is covered with breakfast—plates of biscuits and bacon, bowls of gravy, cups of coffee, dishes of butter and jelly. I’m under ten years old, but I can’t be more accurate than that. I walk into the dining room, perhaps having just gotten out of bed. I come to the edge of the table, closest to where my uncle Bill sits. He has wavy red hair on a round head, a clean-shaven face often red from laughter. He is shirtless, and for whatever reason, his nipples are hard and large. Beneath them, his strong belly balloons partway out over his thighs. Maybe he’s wearing khaki trousers and is barefooted. Again, I’m not big, but I must stand tall enough that I’m at least a head above his shoulders as he’s seated, maybe even a head (or almost a head) above his head. Whichever the case, I’m able to look down at the table and move my gaze back and forth from the delicious food on his plate to his naked upper body without having to move my neck or change the position of my head.

I can’t recall seeing my father or other uncles without at least their undershirts on. Was Uncle Bill’s the first naked man’s body—partially naked, at least—that I’d been close to and able to observe closely, if covertly, in my life? I have little or no interest in men’s genitals, but their shoulders and breasts and bellies captivate my attention—if they have the look.

Did this moment next to Uncle Bill contribute to my obsession with wrestling—pro wrestling in particular? I don’t like all the clothes that amateur wrestlers wear. I don’t like when pro wrestlers wear anything on their upper bodies, even if it’s just a singlet with a single shoulder strap. I don’t care for wrestlers who have thin physiques (think Greg Gagne). I don’t care for wrestlers who are heavily muscled (think Lex Luger or Randy Savage) and seem more like bodybuilders—unless they also have a belly I like.

Now and then, Uncle Bill’s nipple pops into my mind, and I wonder if it—and that moment of seeing it—have had some influence on my erotic personality and interests.

Thursday, January 20, 2022

So, friends, from Compton's Encyclopedia, this is the head scissors that so many of us are turned on by.


Some years ago, I met one of my favorite opponents for the first time in the basement of an old middle school. Upstairs a basketball game was going on. I met this big man outside the game. He worked at the school, which was near where I live, and he guided me through the dark to a back entrance. We stripped down to our trunks and wrestled. At one point I had him in a head scissors like Bockwinkle and Race begin with below. And suddenly the image of this old Compton's head scissors came to mind, and I could immediately envision how to switch from my standard head scissors to this luscious one from the encyclopedia. I said to my guy, "Hang on, I'm gonna try something." And I made the switch, natural as you please. Man, did my body thrill at finally being able to feel what I'd looked at and fantasized about for so long! 


Here it is as applied by Gene Kiniski on Giant Baba. Unlike the other holds below, in which the wrester in charge makes a quick switch from a standard head scissors to the "head scissors and arm hold," watch Kiniski go straight to the hold.



Hey, ref, how 'bout you get out of the dang way?!

Harley Race v. Terry Funk
Race's version of the hold is elevated, rather than lying heavily on Funk's body like the other holds depicted here.
Watch Race make the switch, which is done here slowly enough so that we can see how the grip with his legs changes from one version to the next.



Below is the head scissors in a match between Warren Bockwinkle and Wilbur Snyder. I think it might be my favorite, although the Race/Funk version is darn hot.



Watch this to see how Bockwinkle makes the switch between the two head scissors versions. I'm guessing that this is how the head scissors in Compton's developed. Although I suppose Black in the picture could have put White directly into the hold like Kiniski does Baba above.

Don't you wish we had a video of the Compton's Match?


I don't want to spoil anybody's MvM fun, but if you're into female wrestlers . . .


She's got it going on!





 

Monday, January 3, 2022

The Head Scissors and Johnny Weaver

I'll not say anything about being away and just be back without further comment (but with a hope that somebody is still out there reading).

At times when I need to be accomplishing the most, I procrastinate too often by scouring YouTube wrestling videos in search of any head scissors holds that matches might include. I've found a lot, but I've wasted a lot of time as well.

This morning, I was going through some old shows of the wrestling program I grew up watching--Mid-Atlantic Championship Wrestling. Back in the day, in pre-cable times, I could watch this once on Channel 4 out of Greenville, SC, after Saturday morning cartoons and before Saturday afternoon college sports. Then I could see it a second time that night, after the 11 o'clock news on Channel 13 out of Asheville, NC. I watched both shows always in hopes of seeing a head scissors and always in hopes of seeing my favorite wrester--Johnny Weaver. So, again, I was going through some Mid-Atlantic shows from 1981 and '82, and this one show just opened with the first match already in progress. Not only that, it opened with a head scissors already in progress. It gets better. Although I didn't remember the wrestler in control at that point in the match (I later learned his name was Ken Timbs), I quickly realized that the wrestler being worked over by the head scissors was Johnny Weaver.

Here's a screenshot of the match as it's picked up in progress:



I was immediately excited.

Weaver then rolls toward Timbs's feet and then onto his knees and works himself free of the hold. He lunges to take Timbs in a headlock, the counter to which puts him right back in the head scissors.

But then this shot of Weaver in the head scissors and looking, more or less, at the camera--at me--made my insides squirm and my crotch suddenly throb. Although brief in the video, this is such a visceral image for me.



Reader, I masturbated.

I've had these images up on my screen almost all day, and the throbbing has continued.